With her preferred material of mirrored surfaces, she opens an associative space of thought and at the same time, with her appropriations, quotes the recent history of art en passant. As with the Mirrored Cubes (1965) by Robert Morris, visitors will once again become part of the art with Sali Muller's reflecting cubes Fragile Gebilde (2019). The physical presence that has become visible develops a consciously perceptible relationship to the objects reflected within them, the space and ultimately also to oneself and the stranger.
Harald F. Theiss
