Some of her works are specially designed for the public realm and relate to the architecture and history of the buildings and surroundings. The strength of site-specific installations is the dialogue with the space, open to social, political and cultural critique, and the people, giving them an aesthetic and physical experience, that encourages the audience to find new meaningful connections (and induce further reflection) upon concerns of our ultra contemporary life.
In Plage de temps, exhibited at the Centre d’Art les Eglises, and ancient church transformed into a center for contemporary art, time itself which, through the image and the symbol, becomes the object and projects its reflection around identity in a more universal dimension. She is confronting the visitors with seemingly abandoned heaps of sand pushed by the wind into the exhibition space. In its unspectacular and primary form, it is reminiscent of construction sites and raw material used in the production of glass and not necessarily and immediately recognizable as part of an hourglass at a standstill.
Placed on the sand, an enormous sphere of light represents the sun during the day and the moon at night, diffusing within the space a changing light. Between space odyssey and child’s play, between enigma and meditation, she is still playing with ambiguity to create a space of reflection, and invites the spectators to wander on this sand and, why not, to manipulate it and play with it.
